The Social Network (2010) is arguably the best film of the last twenty years, and that's thanks to it's superteam of David Fincher (director), Aaron Sorkin (writer) and Kirk Baxter/Angus Wall (editors). Let's take a look at how they made a movie that is essentially just two hours of people talking seem interesting.

Subscribe for more vids each week here:    / @sceneitreviews  

Come say hi on my social media feeds:
Instagram: https://www.instagram.com/scene_it_re...

Songs from Soundstripe:
Youtube Content ID Code:

ATTRIBUTIONS:

This video contains copyrighted material from the feature films/TV shows listed below. I believe all content used falls under the remits of Fair Use (see below), but if any content owners would like to dispute this I will not hesitate to remove said content. It is not my intent in any way to infringe on their content ownership.

Contact: [email protected]

The Social Network
Fight Club
Se7en
Gone Girl
Panic Room
David Fincher
Aaron Sorkin
The Killer
Jesse Eisenberg
Mark Zuckerberg
Andrew Garfield



FAIR USE DISCLAIMER:

As the original material is transformative in nature, uses no more of the original than necessary, and has no negative effect on the market for the original work, the copyright material has been used in accordance with the Fair Use Copyright Disclaimer under section 107 of the Copyright Act (1976):
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.

FAIR DEALING DISCLAIMER:
This video constitutes "Fair Dealing" and does not violate Australian copyright law. As outlined by the Australian Copyright Act of 1968, Division 3 Section 41: "A fair dealing with a literary, dramatic, musical or artistic work, or with an adaptation of a literary, dramatic or musical work, does not constitute an infringement of the copyright in the work if it is for the purpose of criticism or review, whether of that work or of another work, and a sufficient acknowledgment of the work is made." The video is transformative in nature, uses no more of the original than necessary and has no negative effect on the market for the original work.